Saturday 31 July 2010




William Edmonds

www.williamedmonds.co.uk

Through drawing, painting, printmaking and playing and recording music William Edmonds explores the links between antiquity and the modern world, the relationship between object and ritual.

Nous Vous
Nous Vous (We / You) is a collective based in London and Leeds, UK. They work as designers, illustrators and artists on a range of projects.

Jay Cover
www.jaycover.co.uk

Keen interest in craft. Uses a variety of techniques to create a simple effective and cohesive aesthetic.

Marc Boutavant

Varoom issue 05, 2007

You spoke to me recently about the liberating role of the Wacom tablet. Could you tell me a litte more about this?
It's a very personal experience. I don't much like drawing,and working in the way i used to work became boring for me. I wore my acrylic cross for years, but with the tablet several things happened that had a liberating effect for: i was no longer looking for my hand at the end of my nose as i drew. Looking at a screen, with a hand (mine,in fact) drawing on a tablet, introduced a kind of distance to the process, which was good for the thinking process. Also, it was now easier to make shapes 'inside and outside' shaping forms in way which was closer to my feeling. Using acrylic had often been a huge waste of time regarding technical difficulties of rendering colours and materials with scans and CMYK printing and so on. With digital, the final result is closer to what i wanted to do.

Some people, particularly publishers, do say that digitally generated artwork is less 'friendly' than traditionally created work. Do you have a view on this?
I do understand this. I used o feel it too, but its like new food, new tastes. In the end, what is important is what the artwork allows you to pick up on. Traditionally created art work is seductive and somehow regarded as more 'noble' material but this might not be enough. I would respond to this by saying that the medium is not used in order to show the medium but is used to make an image, to create reaction, to evoke thoughts and feelings.

Could it be said that the work of some artists is more stylistically appropriate for children than that of others?
I would say no. That is an adult projection. If an image is made to talk to children, it will talk to them, whether done with pencil, college or computer.

Friday 30 July 2010

www.theaoi.com/index.phpoption=com_content&task=view&id=180&Itemid=47

Association of illustrators book review on a new book, Handmade Graphics, tool and techniques beyond a mouse.

Is a collection of work from various different backgrounds

Wednesday 28 July 2010

Social enterprise based in Huddersfield
Aim is to reconnect communities by retelling stories people love.

http://www.enchantedholme.co.uk
Honing graphic design trends with longevity

http://www.brighthub.com/multimedia/publishing/articles/62398.aspx
College art association

http://www.collegeart.org





Design down under

L.Peters,Robert

Communication Arts Sep/Oct2007, Vol. 49 Issue 5, p42-54

The article examines the graphicdesign scene in Australia as it existed in 2007.

http://METALIB.jmu.ac.uk:8331/V/QAG6F7TKRAN1UVTNBSVV11RUV1TDVNJNE1CECSCQ6IECHIVVLQ-34748?func=meta-3&short-format=002&set_number=002124&set_entry=000001&format=999